French critic and composer Michel Chion argues that watching movies is more than just a visual exercise--it enacts a process of audio-viewing. The audiovisual makes use of a wealth of tropes, devices, techniques, and effects that convert multiple sensations into image and sound, therefore rendering, instead of reproducing, the world through cinema. The first half of Film, A ...(展开全部)

Film Music: A History explains the development of film music by considering large-scale aesthetic trends and structural developments alongside socioeconomic, technological, cultural, and philosophical circumstances. The book's four large parts are given over to Music and the "Silent" Film (1894--1927), Music and the Early Sound Film (1895--1933), Music in the "Classical-Style" ...(展开全部)

Film Music: A History explains the development of film music by considering large-scale aesthetic trends and structural developments alongside socioeconomic, technological, cultural, and philosophical circumstances. The book's four large parts are given over to Music and the "Silent" Film (1894--1927), Music and the Early Sound Film (1895--1933), Music in the "Classical-Style" ...(展开全部)

(From the Catalog-Movie) Los Angeles, 1953: six innocent people gunned down at an all-night diner. Three policemen arrive to investigate: Ed Exley, goaded by his father's success on the force, burning to eclipse him; Bud White, witness to his mother's murder, a time bomb with a badge; and Jack Vincennes, former addict, a shake-down artist who works celebrities. Worse yet, t...(展开全部)

Graphic L.A. is part practical instruction, part guided meditation on the importance of color values and objects in art. The reader is led by the professional instruction of Robh Ruppel; instructor at the Art Center College of Design, Gnomon School of Visual Effects, and Concept Art Academy. He is also a multiple award-winning art director of video games. By reducing environmen...(展开全部)

(From the Catalog-Movie) Los Angeles, 1953: six innocent people gunned down at an all-night diner. Three policemen arrive to investigate: Ed Exley, goaded by his father's success on the force, burning to eclipse him; Bud White, witness to his mother's murder, a time bomb with a badge; and Jack Vincennes, former addict, a shake-down artist who works celebrities. Worse yet, t...(展开全部)

Graphic L.A. is part practical instruction, part guided meditation on the importance of color values and objects in art. The reader is led by the professional instruction of Robh Ruppel; instructor at the Art Center College of Design, Gnomon School of Visual Effects, and Concept Art Academy. He is also a multiple award-winning art director of video games. By reducing environmen...(展开全部)

A reckoning has come to the City of Angels...Karen Garcia is missing and her father doesn't trust the cops - he wants someone he knows on the case - so he enlists the help of Elvis Cole and Joe Pike. It seems that Karen is the latest victim of a distinctive serial killer and the police are determined to pin her death, and four others, on the witness who found her body. Cole doe...(展开全部)

The day starts like any other in L.A. The sun burns hot as the Santa Ana winds blow ash from mountain fires to coat the glittering city. But for private investigator Joe Pike, the city will never be the same again. His ex-lover, Karen Garcia, is dead, brutally murdered with a gun shot to the head.Now Karen's father calls on Pike and his partner, Elvis Cole, to keep an eye on th...(展开全部)

Pratt 学院院长，著有The Vision of Robert Flaherty:The Artist as Myth and Filmmaker,Nonfiction Film Theory and Criticism,Filmguide to "Triumph of the Will"及In the Dark:A Primer of the Movies